anno LX, n. 73/2020
pp. 176
ISBN cartaceo 9788878858404
ISBN pdf 9788878858411
Ontology of art is flourishing, with a plethora of research papers and monographs dedicated to this area appearing each year. It is commonly believed that ontology of art is one of the main fields in aesthetics. This is not surprising since many, if not all, aesthetic questions presuppose some level of ontological inquiry. Sadly, lasting achievements in ontology of art have proved elusive. The vast number of existing, mutually exclusive positions within the area suggests that there is a hidden possible solution within it that has not been elaborated so far. For philosophers and art theorists it is evident that the art world constantly brings forth new art objects and practices that undermine established ontological categories and concepts. This indisputable fact is a trigger for brave and novel investigations within and beyond much of the work in ontology of art, traditionally understood. The papers collected in this issue of Rivista di estetica represent different styles and methodologies of philosophical inquiry. Thanks to this fact we can call them “new ontologies of art”, since research into artworks and their relation to humans calls for insights from several perspectives.
Maurizio Ferraris, Prima pagina
Adam Andrzejewski, Introduction
Alessandro Bertinetto, Improvisation and ontology of art
Iris Vidmar Jovanović, TV series and their boundaries
Andrea Giomi, Towards an ontology of digital arts. Media environments, interactive processes and effects of presence
Sanja Ivic, Paul Ricœur’s hermeneutics as a bridge between aesthetics and ontology
Carlos Vara Sánchez, Rhythm ’n’ Dewey: an adverbialist ontology of art
varia
Elena Filippi, Narciso nel Quattrocento: percezione, conoscenza, arte
Elena Mancioppi, Nicola Perullo, Estetica aromatica. Odore, politiche dell'atmosfera e impegno percettivo
Antonio Valentini, Tragedia attica e filosofia. Osservazioni sulla funzione cognitiva dell’arte tragica
Nicola Di Stefano, Vincoli biologici e regole fenomenologiche. Osservazioni sulla percezione del suono
recensioni
Filomena Diodato, Ambienti mediali
a cura di P. Montani, D. Cecchi, M. Feyles
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Ferraris, Prima pagina |
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pdf 22.5 KB |
RdE73_01-Ferraris | 7,00 € |
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Andrzejewski, Introduction |
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pdf 46.9 KB |
RdE73_02-Andrzejewski | 7,00 € |
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Bertinetto, Improvisation and ontology of art |
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pdf 108.4 KB |
RdE73_03-Bertinetto | 7,00 € |
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Jovanović, TV series and their boundaries |
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pdf 93.7 KB |
RdE73_04-Jovanovic | 7,00 € |
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Giomi, Towards an ontology of digital arts. Media environments, interactive processes and effects of presen |
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pdf 100.7 KB |
RdE73_05-Giomi | 7,00 € |
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Ivic, Paul Ricoeur’s hermeneutics as a bridge between aesthetics and ontology |
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pdf 80.7 KB |
RdE73_06-Ivic | 7,00 € |
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Vara Sánchez, Rhythm ’n’ Dewey: an adverbialist ontology of art |
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pdf 103.8 KB |
RdE73_07-VaraSanchez | 7,00 € |
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Filippi, Narciso nel Quattrocento: percezione, conoscenza, arte |
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pdf 149.3 KB |
RdE73_08-Filippi | 7,00 € |
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Mancioppi - Perullo, Estetica aromatica. Odore, politiche dell'atmosfera e impegno percettivo |
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pdf 112.3 KB |
RdE73_09-Mancioppi-Perullo | 7,00 € |
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Valentini, Tragedia attica e filosofia Osservazioni sulla funzione cognitiva dell’arte tragica |
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pdf 93 KB |
RdE73_10-Valentini | 7,00 € |
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Di Stefano, Vincoli biologici e regole fenomenologiche. Osservazioni sulla percezione del suono |
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pdf 86.1 KB |
RdE73_11-DiStefano | 7,00 € |
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