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paper version, ISBN 9791259931573
Anselm Kiefer
Anselm Kiefer

English Version

edited by Emilio Carlo Corriero, Danilo Eccher, Federico Vercellone

translation by Vanessa Cockman

series Parole d'artista / In the Words of the Artist
year of publication 2024
pp. 104
ISBN paper version 9791259931573

Born in 1945 in Donaueschingen, Germany, Anselm Kiefer now lives and works in Paris.
From the very beginning of his career, he has held solo exhibitions in many prestigious museums, including: Kunsthalle, Berne (1978); Städtische Kunsthalle, Düsseldorf (1984); Stadelijk Museum, Amsterdam (1986); Art Institute of Chicago, Museum of Art of Philadelphia, MOCA, Los Angeles, and MoMA, New York (1987); Neue Nationalgalerie, Berlin (1991); Kyoto National Museum of Art (1993); Hiroshima Museum of Contemporary Art (1993); Museo di Capodimonte, Naples (1997); The Museum of Modern Art, São Paulo (1998); The Metropolitan Museum of Art, New York (1998); Galleria d’Arte Moderna, Bologna (1999); Rijksmuseum Amsterdam, Amsterdam (2011); Royal Academy of Arts, London (2014).
In 1977 he participated in documenta in Kassel. In 1980, his work was presented at the XXIX Venice Biennale, in the German Pavilion, where he received numerous critical awards.
In 2007, the Guggenheim Museum in Bilbao presented a major retrospective dedicated to his work, and in the same year, the Louvre in Paris commissioned a work from the artist for its permanent collection.


Emilio Carlo Corriero insegna Filosofia della religione e Antropologia filosofica per il Corso di Laurea in Filosofia dell’Università di Torino.
Fra i suoi libri più recenti The Absolute and the Event. Schelling after Heidegger (Bloomsbury, 2020), Il dono di Zarathustra. La ‘lieta’ novella di Nietzsche (Rosenberg & Sellier, 2019), la nuova edizione di Vertigini della ragione. Schelling e Nietzsche (Rosenberg & Sellier, 2018) e Nietzsche’s Death of God and Italian Philosophy (Rowman & Littlefield, 2016).


Federico Vercellone insegna Estetica presso l’Università di Torino. I suoi ultimi libri, tutti pubblicati da Il Mulino, sono Dopo la morte dell’arte (2013), Il futuro dell’immagine (2017), Simboli della fine (2018).

Preface

Francesca Alfano Miglietti
On Innocence

Anselm Kiefer
Lectio magistralis

Federico Vercellone
Inhabiting the Archetype. The New Symbols of Anselm Kiefer

Danilo Eccher
The Weight of Poetry

Emilio Carlo Corriero
Between Art and Life

Iconography

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